The Autumn/Winter ‘21-’22 + Spring/Summer ‘22 Fashion Forecast shared by Magic Sourcing Trends Digital Discovery Session, is a validation of everything we here at SaladBowlDress stand for…
In a few words making hand-tailored deconstructed clothing for the masses with clothing that would otherwise end up in a landfill is right on trend. I was pleasantly surprised by how much SaladBowlDress represents all the core tenets of the forecast next year.
The four major trends:
1. Prioritize functional trans seasonality
2. Focused on refined craft
3. Promote day to night versatility
4. Create timeless appeal with classic heritage
Seasonless versatility, multifunctional, long lasting trend, nostalgic retro colors, textures and the same with interiors.
Versatile work-life trends and home comforts continue to influence the materials sought. Tactile, comfortable and performance quality plus transeasonality is a big concept going forward.
Transeasonal is the anti-season, clothes not specifically intended for winter or summer. A trend the fashion industry has promised to make sustainable fashion.
Those transeasonal pieces in a wardrobe are essential to layer, throw on and take off in accordance with a sudden change in temperature. I.e. A dress made of a model fabric that can be layered or worn alone, a SaladBowlDress utilitarian tunic or vest.
The performance quality goes from indoors to outdoors and has smart denim or antibacterial fibers to accommodate a back to nature movement.
Textile space, feel good, easy care, strong focus on comfort and how fabrics behave, washable, stretchable, sustainable, and how it makes me feel, as in wellness. At SaladBowlDress all our garments are washable easy care pieces focusing on comfort.
Transparency and ecologically sound, sustainable fashion to help with climate change is a big motivator of this movement. Fabrics must be ethically sourced and manufactured. We want to know where and how and who makes our clothes.
The textile story is one of many textures, soft and plush, tweeds and fleece and a big craft element will prevail. SBD LOGo
Many of the textiles going forward are the 100 % recyclable polyesters for durability, softness, and work well going from indoors to outdoors. Needing performance fabric Tencel-lyocell, https://www.encircled.co/collections/tencel-lyocell breathable, luxurious, clean, and one hundred percent biodegradable.
31% of people in the USA have gone w/o touch all year. Looking for softness and comfort. Reiterating this idea with much more tactility, inherent stretch.
72% changed spending habits -saving money, although a lot of self gifting is going on.
44% will continue to save money showing us their cautiousness.
*The Craft trend #upcycling is the number one hashtag on Instagram. 2.2 m are upcycled. Using existing materials to enhance style, not in place of it.
The tensions around consuming “There’s an aesthetic tension that’s arising that’s being driven by a key consumer desire- the desire for safety and psychological comfort. On one hand it’s emerging through products that evoke a sense of care and love through tactility and visible craft elements. On the other hand, it is appearing in a desire for the armor that protects us through a lens of uncertain economic landscape in technical fabrics and work from home wear that is comfortable but offers a sharper silhouette.” quote by Petah Marian, WGSN Senior Strategist, Insight
Core color palettes. Colors staying around longer.The color story for next year is more of a year around the basics: Navy’s, jade, artisanal red, yellow brass, Dark Oak, Olive Oil, Pewter, sweet coral, digital violet, see the slide.
01 The first big story is called The Domestic Plush about comfort being the main driver, tapping into the Home Hub duvet comfort inspired, felt, gently milled brushed flannel, wool, napped and softened fabrics coming through for day wear, sleep, head to toe softness. Everyday opulence with vintage providence, sustainability (peace silk), and eco conscience leather-(made from mushrooms). Dressmaking with a human touch, DIY, more romantic opulent and ornate.
Softer Loungy-Still femininity-adaptable- less occasion based unbleached cotton.There are different priorities. People are going outdoors more enjoying nature. Their clothing needs to perform, smart denim, cozy sweaters, sneakers.
More adaptable:indoor/outdoor, layering
The stay at home or work from home(WFH) trends. Soft textures and plush polar fleece. Focusing on low maintenance easy care wovens and knit. Breathable, insulating and cozy qualities take on the’ less is more’ customer.
02 Second big idea is Protective Performance where a garment can act as armor increasingly fit for survival mode as in a SaladBowlDress vest with many pockets.
03 Big idea is all about repurposed craft. Hello SaladBowlDress the haven for
consumers who are looking for unique products with repurposed fabrics, embellishments and trims that are beautiful and spark joy, while also promoting sustainability. Honest Craft-DIY, appreciate craft in itself.Mixing in combinations of fibers for a zero-waste approach.
04 Next, the functionality of the clothing is important. A transition around performance, cleaner well put together, color blocking, utility Drills, and heritage denim.
The WFH Uniform is an idea we at SaladBowlDress have embraced for some time that you can put on one piece that will take you from morning to evening, summer to winter, indoors to outdoors.
A utility look remains at the forefront of the practicality focused and built to last agenda, updating a simple silhouette. Describing our SaladBowlDress Vest again while celebrating a casually tailored and put together look.
05 Reconsidered Classics are smartened up, formal materials blend durability, comfort performance and sustainable elements together to support the longevity of these new classic meets future heirloom pieces.
Natural materials are injected with technical enhancements such as crese-free, anti-bacterial, easy care and climate resistance to fit seamlessly into modern lifestyles.
Here at SaladBowlDress we are tinkering with the idea of speaker enhancements to go with our durable materials and desire of being that heirloom piece.
This style goes across genders, and ages, using checks,stripes and simple fabrics like unbleached cotton.Tactility wovens look like knits and knits look like wovens
Additionally, as in times of uncertainty, consumers are looking to nostalgia to feel grounded reflected in the patterns, textiles, and colors they will seek.
What does that mean? Garments have to work harder for us. Work life trends looking for garments that make us feel better. We want problem solving designs and add ons that increase the value, longevity, multifunctional aspects, good fabrics, extended life, and going from season to season, transeasonal.
SaladBowlDress has been around for almost ten years upcycling your clothes from overstuffed closets. We do not purchase clothing anywhere by the pound or at a donation center. Although we are not adverse to doing that.
Sbd vests are seasonless, easy care/washable, and loaded with comfortable versatility. Various ways to wear them indoors and out through layering, zippering, and large pockets to hold shoes while walking on the beach or carry the tablet needed to brush up on the next lesson plan. We have added pockets around the neckline to hold earbuds. The vest is a kind of armor that protects us while having visible craft elements to make us feel at home.
What is fast fashion? Zara, H&M, Forever 21, to name but a few since almost every brand went down the fast fashion slide in the hope of fueling a never ending thirst for more sales feeding the frenzy and addiction of everyone wanting more clothes for little cost.
But buying cheaply comes at a high cost.
I thought everyone knew.
My generation always desired new clothes. We have memories of wanting a new pair of pants,
(something very novel to us) an expensive dress, a new t-shirt and Levis jeans, but we either couldn’t afford new clothes all the time or couldn’t buy any Off the Rack like you can today. There were not always clothes in my size, not like today where everyone is accommodated from the very small to the very large.
In my case, being so skinny and small, the only clothes remotely in my size were in the kids section size 14, super ugly big kids clothes for pre-teens, or they were too big for the pre-teen girl wanting more grown-up clothes, that I was.
Definitely just before the days of what we who worked in the industry called junior slut wear. It wasn’t that bad, but it did have sexier details such as sweetheart necklines and the like.
There were only boutiques I would read about in Seventeen magazine.
geared towards the tiny preteen for my sister and I.
One store, in our area, was called Jabberwocky. Our mother brought us all the way there, two cities away, and it did not disappoint.
All the clothes were so fashionable, just what we were looking for and they had small sizes. But they were expensive. I was allowed to buy one pair of pants that I wore practically my whole high school years. A pair of kelly green high waisted pants out of a brushed twill that never seemed to wear out. I only grew out of them eventually.
Friends I had who spent a fortune on clothes had mothers who took their daughters on clothes shopping sprees once or twice a month. They showed up at school with beautiful clean bright new outfits to go with their perfect hair, face, and smile.
The rest of us wore our outfits once or twice a week. That is how we dressed when clothes were expensive and we didn’t shop all the time.
The Gap only had sweatpants for exorcising and sweatshirts or hoodies. Soon they started having a button-down shirt. The Banana Republic had army navy surplus clothes intermingled with other basics that cost more but had a few military-style pieces you could get for a reasonable price.
As time went on, there were more options. We all noticed and started shopping more.
There were strip mall stores opening up with long racks and racks of just tops or sweaters and always one or two we could afford and purchased.
Boutiques in the malls opened up with names like The Limited (except it was anything but) and others all of a sudden, with young trendy cute clothes that were not going to break the bank.
We all shopped more, and it felt like it, we only wanted to go shopping. We went to the mall frequently to buy clothes.
It was an outing different than before when we went to the department stores.
I thought at the time it was having our first real jobs with a need to look better or professional that we shopped. Sure that was part of it but there were so many more options and fashion seemed to embrace all the DIY details we had already made once by hand, but could now buy. Machine embroidered items, already frayed edges at the store, jeans with faded washes.
Nordstroms became the expensive store while for a while they all were before the many boutiques popped up. Nordstrom has survived because in the maelstrom of fast fashion Nordstrom promoted service to the average shopper like no other department store.
When did the Gap become a fashion maven? When did Penny’s become only a place to buy underwear, then after a revamp a place to buy inexpensive suits and dresses. At least they didn’t go by way of a Woolworth’s which touted inexpensive clothes but by no means could compete with trendy chain boutiques.
All of a sudden you could find cute t-shirts at Forever 21 that were extra long and cheap, three for ten dollars. Before that I was sewing any extra fabric I could find to the bottom of my t-shirts to make them longer since low cut pants were in style. We really could not believe it. We couldn’t get enough. We wanted to go back for more. The fast-fashion addiction was beginning.
How could we resist? We found cargo pants, the ones with tons of cute pockets a third of the price of real Gerards. We couldn’t help ourselves. Sweaters were affordable when we were making five to ten dollars an hour.
I know we are still making ten an hour but it was a time of inflation, there was less income inequality. We felt a real option of moving up the pay scale and growth in our careers.
Somewhere along the line, the fashion industry started making more than four or five seasons to feed the demand. There was Spring One and Resort, Fall 1and 2.
We started manufacturing in China.
Unending cheap labor made it possible to design anything we wanted without it costing a lot. It was designed by fax and spec at first. At some point, we started to send the actual clothing to copy.
At first, we designed and made patterns, and traced them, and physically sent them over.
In return we would get these squished clothes that had been sitting in ship containers for weeks, often smelling of chemicals.
Sometimes the USA factories in Flint Mi, Pennsylvania, and the Carolinas would still make knits and mostly sweatshirts. There was money for artists to actually draw bunnies and sheep for sweatshirt designs. The competition for making a shirt ten cents cheaper would go to the lowest bidder for a store like Kmart.
People were getting used to their clothes being made somewhere else besides Italy. When more and more madras plaids were pouring in from India and everyone had one because they were a cheap nice-looking plaid shirt made out of cotton gauze.
Levi’s started being made in China too.
For the large majority of their jeans, Levi’s are not made in the USA. More than 99% of their jeans are made in countries like China, Japan, Italy, and others. Levi’s does have a single collection of “Made in the USA” 501 jeans, sourced from a small denim mill called White Oak in Greensboro, NC. Dec 23, 2019
All of a sudden we were emailing China daily, hourly, to get our goods, making only up to two corrections max in an afternoon. The turnaround time was getting shorter and shorter. When we used to plan a year in advance and finish the line to show three months in advance everything was moving faster now.
People were buying whatever we put out there. The competition was fierce to keep making more to feed the fast fashion addiction.
The Target, the H& M’s, The Forever 21’s were the competition with Gap and every big label jumping on board to produce the cheapest and the most sold in more and more stores across the states.
Department stores started hurting not being able to sell designer clothing and quality pieces for twice as much. Plus their turnover was not as great.
If you wanted something trendy in fashion the department stores lagged behind the cheap franchise stores. Manufacturers found the wait time for payment from traditional department stores unacceptable and had a hard time stocking some brands that did better in a boutique setting who paid when they made the order not six weeks later like the department stores.
The competition for making something a dime cheaper for mass production to go into every store around the country and the world was formidable. The markup went from 50% in the old days to 30% and 20% to keep quantity and price down.
H&M started hiring high fashion designers, then Target did the same and big designers started having a line of off-the-rack clothing for the masses.. It was hard to tell if the RL brand was the expensive one or the one made for cheap. So why bother buying the expensive one?
The better-made clothiers were becoming more exclusive. All adding to the income inequality aspect of brands being for the very wealthy. At the same time, most brands were buying more, making six to ten seasons a year. Leaving the design in the dust and relying on surface treatments which are very labor-intensive but easy for China who had unlimited cheap labor.
But now the fashion industry as a whole is having a reboot, some are closing down or slowing down with the help of the pandemic but the pandemic added a magnifying glass to the dilemma to stop the 2.5 trillion industry from destroying our planet. Embracing Intersectional Connection to change the profit motive and discover what sustainable fashion is really all about.
Is climate change causing the coldest winter on record in Texas since the 1890s? Dr. Shahir Masri a Master in Environmental Sciences elucidates misconceptions about greenhouse gas emissions and offers insight into his research in his new book Beyond Debate.
One degree or so seems like no big deal. Some areas are getting cooler and some warmer. Variability is enormous.
Across the polar caps it is about 10 degrees different.
At the peaks and troughs. How are they changing over time? Average is a scientific metric, not very useful to the average person.
Nevertheless, to give this experiment we are conducting with our planet Earth, not doing enough for a fighting chance of survival is an experiment.
The planet might make it but as a species humans and the animal populations are dying because of climate change now.
We are in the sixth mass extinction. Eighty percent of our animals are being lost right now. A real siege we need to address.
Shahir belongs to the same Climate Reality groupin Orange County, California that I do. He says joining a climate action group is the single most important thing anyone can do.
We can read about what is going on or listen to a podcast, as in this case, Tristan Miller interviews Dr. Shahir Masri on the One Earth Podcast where environmental pioneers who are the beacons of tomorrow share what we all need to do collectively.
What can we do? Solutions involve the three pillars of climate action as Shahir likes to address it.
One is civic duty-changing a few policies- make a phone call to the representatives who are supporting climate change initiatives. Of course voting is at the top, number one thing to do. Canvas for an elected official.
Two involve outreach and education. It is important to talk about these concerns. Share the ways you are taking action to care for your life and the livelihood of the planet.
Three is considering our carbon footprint. Something we have been doing for a long time. Try to turn the a/c off in the summer, buy an electric car, and more by reducing fossil fuel energy on an individual basis.
More of what we can do is to buy from small farmers and local farmers’ markets. Use refill stations for shampoo etc. There are farm fresh market boxes that can be delivered to your door like one called imperfect foods. You can get 10. Off your first box here. We are not trying to be perfect but trying to do a little more imperfectly.
One way to put it. We have not had carbon dioxide Co2 emissions this high since 3-6 million years ago, the time before that was 65 million years ago.
Potentially it has never happened before. We are living a global experiment.
Careers are dedicated to this experiment and the answers do not look good.
Fossil fuels liberate greenhouse gases releasing bad pollutants. It is a public health hazard on a global level. Air pollution impacts cognitive abilities, and impacts cardiovascular disease.
Couple hundred thousand people are dying a year, 3.5 million are dying prematurely.
Scientists are studying Air pollution not only as a human carcinogen but also possibly a cause of autism. A known fact is it affects developing brains.
There are major correlations to disease by virtue of your surroundings.
Improved sustainable energy is imperative.
Ultra fine and fine particles coming out of the air can be reduced and is a huge public health gain.
There are major correlations to disease by virtue of your surroundings.
We have to drive a halt to this experiment. Drive ourselves back to lower greenhouse gasses.
Invoked as the planet but it is human civilization that stands to lose.
Earth has been around 4.5 billion years.
6.5 million years ago we had a snowball planet. That has happened twice in Earth’s history.
Fluctuations have been extremely dramatic. Have not stood the test of time. The last ten thousand years have been a pretty stable climate.
If earth becomes unstable, nothing precludes the planet from disrupting or change, bringing life to a halt.
On a positive note.
This book Beyond Debate is about trying to get the word out to everyday people around the country. It is less an academic approach but more a grassroots call to action to bridge the gap between science and the public. It is about climate outreach. How is it affecting people at a local level? Surveys were done and compiled for a paper shared on ontheroadforclimateAction.com website. A peer-review study.
Salad Bowl Dress yourself with sustainable fashion. Grow your own food. Buy imperfect food. Make imperfect clothing. Add pockets for gardening. Working at life experiences. Not by buying something new.
Painting is Peasant Wearing Madras – by Realist Realism painter Gustave Courbet (1870’s)
Fashion and Climate change couldn’t be a more timely subject. Click on the letters below to see the presentation I gave for Sustainable Living. Many of the links in this piece are available on the slideshow.
The fashion industry was poised before the pandemic to make some changes. Away from producing so much fast fashion product while making less of a carbon footprint.
But after the impact of the global pandemic happened on the economy, the role of the fashion industry in the destruction of the environment and the economy became a blaring reminder that the fragmented industry has to change as a whole. The industry has to work together, from manufacturing to changing the culture of fashion’s expectations in our society around the world to help in the prevention of global destruction as a key participant.
At the moment large corporations are working together by producing fewer goods, less fast fashion, and regular seasons and even down to two a year following the example of Gucci.
Another key component is to manufacture closer to where the product is being sold. Trying to lessen the carbon footprint it intends to ship less and to produce more in the country where the goods sell. A goal easier said than done as the Western Hemisphere has not invested in the technology necessary to make a yarn out of hemp(being grown on old tobacco farms) for example and so much more necessary in the manufacturing of goods along with all sectors, excluding Europe who invested in the technology needed for manufacturing.
[There are problems in the Americas in manufacturing, they do not have the technology that can spin a yarn literally from hemp again, which is very popular in the USA and being grown by ex tobacco farmers. The hemp is grown in the US, shipped to Asia as the sophisticated making of the yarn is made into yarn and/or fabric and possibly shipped again and sewn somewhere in the Americas?]
Especially in the USA, it is a big problem because our minimal clothing manufacturing has not invested in middle management, education, or development and we do not pay our middle management workers enough. We are years behind in the technology needed to manufacture and PLM that Asia and Europe are equipped to do.
The US are also the people most addicted to fast fashion and yes it is an addiction. These consumers need the education to care about sustainable fashion. Fashion that is less disposable and has more desirability, possibly buy something that has a lasting power of five years or more. Hopefully bringing back the ideal clothing concept becoming treasured again. At one time clothing was handed down through generations. It was made with quality and appreciated for craftsmanship.
A big movement developing is wearing second hand, as a statement, for individuality, and an easy solution to utilize the plentiful pickings.
Second-hand clothing has become popular, nothing to scoff at, but at a different level by Department Stores like Nordstrom and the inexpensive furniture store Ikea.
A place to bring your clothes you no longer want or furniture that was crap in the first place. (on a side note Ikea is working on a way to make their cheap furniture recycled.)
The movement to improve manufacturing with less waste and better design is spreading across the globe with all products from food to fashion. There is an interconnectedness for all of us to participate. Not for profit but for humanity or quality of life for everyone. We are all the 1% not financially but in our individuality. We each can offer our knowledge and ingenuity to our clothing, our lifestyle in the way we eat and where we get our food to how we move around on the planet.
Groups such as Fashion Makes Change (FMC) is the fashion industry’s new solution that delivers women’s empowerment and climate action in tandem. With a mission to build a community between brands, non-profits, consumers, and supporting industries to responsibly drive action on key social and environmental impacts of fashion, the organization acts as a transformational ecosystem. Fashion Makes Change’s powerful coalition supports the diverse women who work within the apparel supply chain, reimagining how collaboration affects change.
“The truth is that the old way of doing things is not solving the problems. Incremental change isn’t good enough. We are moving too slowly,” said Cara Smyth, Chair of Fashion Makes Change. “Education is the great equalizer. In particular, investing in women builds resilient communities. Catalytic ecosystems that foster profound collaboration are powering the next generation of sustainability and are the only sensible path forward. We have a finite number of days before irreversible global warming. Fashion – and the world – are racing against the clock.”
Fashion Makes Change, a project of Rockefeller Philanthropy Advisors, answers the call by the United Nations Secretary-General to advance progress on the UN Sustainable Development Goals (SDGs) and looks to all sectors of society in the next ten years to mobilize action locally and globally, to generate a movement to meet this decade of action. Fashion Makes Change strives to build communities of changemakers that will help advance progress on key development goals and ultimately efforts designed to create a more equitable and responsible apparel industry. Fashion Makes Change will initially look to targets aligned with SDG 3, Good health and well-being, SDG 4 Quality Education, SDG 5 on Gender Equality, and SDG 8 which addresses Decent Work and Economic Growth.
MAKING AN IMPACT
One of the key organizations that Fashion Makes Change will support is the [email protected] Collaborative, a joint effort of United Nations’ ILO-IFC Better Work, BSR’s HERproject, CARE International, and Gap Inc.’s P.A.C.E program, that works to leverage knowledge, skills, and networks to drive collective action for the benefit of women workers and gender equity in global supply chains.
THE INDUSTRY UNITES
Brands and retailers throughout the industry are mobilizing to educate women in the global supply chain at scale by 2030. This comes as the industry’s CEOs and their teams work collectively to demonstrate fashion as a powerful force for good in the world. Consumers increasingly want to drive positive impact and are motivated when they have a voice in using their purchasing power to support the actions brands are taking. Individual and collective efforts in the community are required to tackle the systemic challenges facing our society.
The first activation will launch on March 8th, International Women’s Day, with a program that engages consumers to round up or donate via a global network of retail and fashion brands. The proceeds will be dedicated to educating and empowering women in the supply chain via [email protected]
Funds collected will be deployed through Rockefeller Philanthropy Advisors, a nonprofit organization that helps donors create thoughtful, effective philanthropy around the world through research, advisory, management, and project incubation.
This unprecedented collaboration among brands, customers, and non-profits will amplify, scale, and accelerate a global shift towards meaningful change.
The program has support from Rockefeller Philanthropy Advisors, Avery Dennison, PR Consulting, and the Accessories Council.
Furthermore, second hand, unique, want it to be the first option. Young people are removing some of the stigmas of used clothing as they are often, customized, embellished, and upcycled.
Depop has a customer base of a 23million and 93 percent are under 26. A company that is expanding access to used clothing. One of many. It is a bigger umbrella. Usually unique, no one else will usually have the same item.
Another movement is to reuse clothing rather than see it go into the trash or shipped all over the world looking for a home as the rag quality that they are.
There is no silver bullet. As a manufacturer, someone who has had a clothing line for eight years. I found a gem in the clothing that was spilling out of our closets and sold by the pound at GoodWills.
With my background in production as a patternmaker and technical designer, I found many uses and opportunities for ways to scale up these clothes. Other companies that have scaled up doing similar work are:
One resource for this article is from unitedfashion.com ‘Fashion Makes Change,’ Change Fashion? The new brand-led community promises solutions for the “equalizing” status of garment workers while tackling the climate crisis with collaboration. By Kaley Roshitsh on November 17, 2020
There are many different approaches to enlisting good trade practices. Some of the simpler questions are these:
Is the labor being paid a living wage?
Working in safe conditions?
Where and how are their fabrics sourced?
Are the garments made with healthy fabrics such as ironically including deadstock or stock that is leftover from a larger brand’s needs, rather than being thrown away!
Fabric will go the way of “out of many” we might end up with one, E Pluribus Unum a concept conceived by our founding fathers to unite the thirteen colonies thus initiating the melting pot concept.
But these days we want unique cultures to stay intact and carry on with the foods, traditions, languages, and clothing that may define the culture while still assimilating into the varied conglomerate community.
Salad Bowl Dress’s name is about retaining one’s individuality in your unique self and style. Derived from the term-A salad bowl or tossed salad is a metaphor for the way a multicultural society can integrate different cultures while maintaining their separate identities, contrasting with a melting pot, which emphasizes the combination of the parts into a single whole. … New York City can be considered as being a “salad bowl“.-Wikipedia
Or this explanation from Blog.Baruch.cuny -The salad bowl theory is when newly arrived immigrants do not lose the unique aspects of their cultures like in the melting pot model, instead they retain them. … This idea proposes a society of many individuals, “pure” cultures in addition to the mixed culture that is modern American culture.
Since so many traditional fabrics are not sustainable on our depleted planet. Our future in textiles is going to be different with fewer choices for fabrication or fibers than today. But more ethically sourced and ingeniously woven or knitted.
Especially the way fabrics have been made with petroleum products and with leather from cows being herded in the rain forests using tanneries so full of deadly chemicals the average lifespan of workers is only fifty years. I digress.
There is hope, so many innovative fabrics have been developed from mushrooms, bamboo, hemp, and synthetics that are not relying wholly on petroleum for manufacturing. There are lists of companies at The Good Trade. I have been purchasing from PACT for my undergarment needs, and they are a perfect example of a company that only uses organic cotton, innovative blends, and has transparent manufacturing listed on their website.
The least good alternative for scaling up into the billions, 2.5 billion is recycling presently, but for individuals, it is a very low cost and efficient use of resources to head towards zero waste in our households and communities.
The second hand or upcycling alternative is very creative and custom in its nature. SaladBowlDress has a very utilitarian component, as well as a casual shirt or dress, all with pockets for a person on the go.
The quality is better simply by being made one at a time, therefore easily customizable. The design is contemporary, classic, and using clothing deconstructed into new fashionable pieces.
It is our goal to support all sustainable clothing brands in the quest to do something about the number one polluter on Earth, fashion, the major cause of global warming. But it doesn’t mean we can not have fun with fashion while we are doing it.